Writing a short scenario from a personal and meticulous perspective based on idealism and accelerationism with a research about contemporary discourse on environmental issues, duplication of artworks, the idea of ownership and how digital artworks started to be used in cryptocurrency as tokens. An apocalyptic narrative will be created based on fictions as a practice – hyperstition – formed as a concept in the early 21st century by research group CCRU (Cybernetic Culture Research Unit).